Construct · 1 fields · 2 citations
One name. One construct. A landmark on the map.
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In musical acoustics, inharmonicity is the degree to which a vibrating string's partials deviate from exact integer multiples of the fundamental because the string has bending stiffness. Fletcher (1964) derived the stiff-string frequencies f_n = n·f0·√(1+B·n²), and Fletcher, Blackham, and Stratton (1962) showed inharmonicity gives the piano its characteristic tone and forces the 'stretched' tuning in which octaves are widened to match the sharp partials. It is a well-defined landmark construct specific to the physics of real strings and bars.[1][2]
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