Construct · 1 fields · 1 citations

live versus recorded music: a standalone construct

One name. One construct. A landmark on the map.

● anchor · a standalone construct Nearest construct by meaning·not indexed

A single standalone construct; nearby constructs are located against it in the Collider. Tap a field for its definition, unit, and measures.

Music psychology

audiences move their heads more at live concerts than to recorded music, indicating greater engagement with live performance.

In music psychology, live versus recorded music refers to audiences move their heads more at live concerts than to recorded music, indicating greater engagement with live performance. This meaning comes from Swarbrick (2019) in Frontiers in Psychology.[1]

Unit
Recovery means
Measured by

Run it through the Collider, or take the citations with you.

See how live versus recorded music sits against neighbouring constructs in the Collider, or export every reference on this page in one click.

Open in Collider Export BibTeX Report this entry

Nearby constructs

engagement8 fields · 13 citationsjingle · one name, seven constructs performance6 fields · 8 citationsjingle · one word, five performances

References

Swarbrick, D., Bosnyak, D., Livingstone, S. R., Bansal, J., Marsh-Rollo, S., Woolhouse, M. H., & Trainor, L. J. (2019). How Live Music Moves Us: Head Movement Differences in Audiences to Live Versus Recorded Music. Frontiers in Psychology, 9. https://doi.org/10.3389/fpsyg.2018.02682

Cited on this page?

Confirm your construct, or correct us.

If your work is cited behind one of these entries, you know better than we do whether we captured the meaning right. Confirm it, suggest an edit, or dispute it, and your name goes on the entry as an author who has checked it, linked to your ORCID.

Claim your construct