Construct · 3 fields · 3 citations
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A camera obscura is a darkened chamber or box with a small hole, or a lens, in one wall, through which light projects an inverted and reversed image of the scene outside onto the opposite surface. Described in Ibn al-Haytham's optics, it is the imaging principle behind the pinhole and, ultimately, the photographic camera. The referent is a real optical image-forming device.[1]
Marx and Engels borrow the camera obscura as a figure for ideology: just as the device projects the world inverted, ideology presents real social relations upside down, so that ideas appear to drive history when material life in fact does. Here camera obscura names a metaphor for inverted consciousness, not an optical instrument.[2]
In art history, camera obscura refers to the camera obscura as the model of a detached observer, which the book argues gave way to a new, embodied observer in the nineteenth century. This meaning comes from Crary (1990) in Techniques of the observer.[3]
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