Construct · 3 fields · 4 citations
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In philosophy, clarity is a mark of knowledge: Descartes held that whatever we perceive clearly and distinctly can be affirmed as true, a clear idea being one present and open to an attentive mind and a distinct idea one sharply cut off from all others. His Meditations on first philosophy makes clear-and-distinct perception the criterion that rebuilds knowledge after doubt. The referent is an epistemic quality of ideas or perceptions, a different construct from a graded property of a gem or a measured ratio in a concert hall, sharing only the meaning of being unclouded.[1]
In gemology, clarity is a graded property of a gem: how free it is of internal inclusions and surface blemishes, judged for a diamond on a scale running from flawless down through very slightly included to included, usually under ten-power magnification. Webster's Gems and Read's Gemmology set out the inclusion types and grading conventions that fix a stone's clarity. The referent is a visual quality grade tied to a stone's flaws, unrelated to the clearness of a philosophical idea or the acoustic clarity of a room except by the shared image of clearness.[2][3]
In room acoustics, clarity is a measured ratio: the clarity index (C80 for music, C50 for speech) compares the sound energy arriving in the first 80 (or 50) milliseconds after a sound to the energy arriving later, in decibels, so a higher value means notes or words stand out rather than blur into reverberation. Kuttruff's Room acoustics defines the index and relates it to the room's impulse response. The referent is a quantitative acoustic parameter of a space, a wholly different construct from a gem grade or a philosopher's clear idea.[4]
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