Construct · 1 fields · 2 citations
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Two notes are enharmonic when they sound the same pitch but are written and named differently, such as C-sharp and D-flat, a coincidence made exact by equal temperament. Randel's The Harvard dictionary of music and Kostka, Payne, and Almén's Tonal harmony describe how composers exploit this double identity to pivot between distant keys, respelling a note so it leads one way on paper and another to the ear. The referent is the identity of pitch across differing notations, identified by comparing spelling against sounding pitch.[1][2]
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