Construct · 2 fields · 4 citations
One name. Different field. Different construct. One map.
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The interval between two pitches whose frequencies stand in a 2:1 ratio, heard as the "same" note repeated higher and used as the frame within which a scale is built. The 2:1 ratio of the octave, called the diapason, is a foundational result of Pythagorean harmonic theory (sixth century BCE) and was set out mathematically in the Sectio canonis attributed to Euclid (c. 300 BCE); Shepard's 1964 study of pitch perception then showed experimentally how strongly listeners treat tones an octave apart as equivalent. Here the octave is a frequency relationship between sounds, and it has nothing to do with eight lines of a poem, eight days of a feast, or an eight-part number system.[1][2]
The octonions, an eight-dimensional number system that extends the real, complex, and quaternion numbers and in which multiplication is neither commutative nor associative; John Graves called them the "octaves" when he found them in 1843. Cayley published the algebra in 1845, so it is also known as Cayley's octaves or Cayley numbers, and Baez's 2002 survey traces its structure and its uses in geometry and physics. Here the octave is an algebraic object with eight basis units, sharing only the root "eight" with a musical interval, a group of poetic lines, or a feast kept for eight days.[3][4]
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