Where does arabesque collide?

In the decorative arts, an arabesque is a form of surface ornament built from stylised, rhythmically interlacing foliage, tendrils, and scrollwork, often combined with geometric interlace, that repeats and flows across a surface without a fixed focal point. Associated especially with Islamic art, from which European usage took the name, it treats pattern as continuous, generative, and potentially endless. Owen Jones's The Grammar of Ornament documented the Arabian and Moresque families of this ornament among the design grammars of many cultures. The referent is a visual ornamental idiom, unrelated to a ballet pose or a musical piece beyond the shared name.[1]

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Not applicable (a style of ornament)

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Not applicable

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Characterised art-historically by its interlace, rhythm, repetition, and foliate or geometric motifs

In music, an arabesque is a piece or passage whose character is ornamental and decorative: graceful, flowing melodic figuration likened to the interlacing of the visual ornament. The term names short lyrical character pieces, as in nineteenth-century works titled Arabesque, and, more loosely, ornately decorated melodic writing. Apel's Harvard dictionary of music treats it among the descriptive genre titles. The construct is a type and texture of musical composition, not a dancer's pose or a pattern on a wall.[2]

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Not applicable (a genre and texture of composition)

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Not applicable

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Identified by ornamental, decoratively figured melodic writing and by use of the title for lyrical character pieces