Construct · 3 fields · 6 citations
One name. Different field. Different construct. One map.
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Euclid's Elements (ca. 300 BCE) treated ordered lists of numbers in which each term grows from the one before it, including geometric progressions where each term is a fixed multiple of the last, and the summing of such lists. Later mathematics named two standard forms: an arithmetic progression, in which a constant amount is added at each step, and a geometric progression, in which a constant factor multiplies at each step. The referent is a numbered sequence built by a fixed rule of addition or multiplication, fixed by its first term and its step or ratio, not a movement of chords in music or the worsening of a disease in a patient.[1]
Rameau's Traité de l'harmonie réduite à ses principes naturels (1722) set out a theory in which chords move from one to the next under a governing bass, so that harmony is heard as an ordered motion rather than isolated sounds. Piston's Harmony (1941) later taught this as harmonic progression: the succession of chords through a passage, described by the roman numerals of the chords and the way each resolves toward the next. The referent is a chord-to-chord movement within a key, named by the chords it passes through, and it is unrelated to a rule-built number sequence or the advance of a disease.[2][3]
Foulds's The experimental study of tumor progression (1954) described progression as the stepwise change by which a tumor takes on more aggressive properties over time, advancing through a succession of stages. Nowell's The clonal evolution of tumor cell populations (1976) refined this as the outgrowth of successive cell variants, and in clinical practice the word also names disease progression as an endpoint, with progression-free survival being the time a patient lives without the disease worsening (Booth and Eisenhauer, 2012). The referent is the worsening or advance of a disease in a body, tracked by imaging, markers, and survival time, and it is neither a number sequence nor a movement of chords.[4][5][6]
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