Construct · 2 fields · 4 citations
One name. Different field. Different construct. One map.
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A variety of language chosen to fit a situation: the formal, informal, technical, or intimate way of speaking or writing that a setting calls for. Halliday, McIntosh, and Strevens (1964) introduced the term to name variation by use rather than by user; a dialect marks who you are, but a register marks what you are doing, so the same speaker shifts register moving from a courtroom to a chat. Biber (1988) made it quantitative, showing that spoken and written texts cluster along dimensions such as involved versus informational production, dimensions computed from the frequencies of grammatical features. The referent is a patterned way of using language, and the unit is a text or utterance placed by its features and its situation. It shares the word with a processor cell and a singer's range but names a social variety of language, not hardware and not the mechanics of the voice.[1][2]
A range of the voice produced by one mode of vocal-fold vibration and heard as a distinct timbre: chest, head, falsetto, and vocal fry are registers in this meaning. García (1855), observing his own larynx with a mirror, defined a register as a series of consecutive sounds of equal quality produced by the same mechanism, and that definition still anchors the field. Hollien (1974) sharpened it, arguing that a true vocal register is a range of frequencies sharing the same laryngeal vibratory pattern and a comparable quality, with audible breaks where one pattern gives way to another. The referent is a physiological and acoustic mode of phonation, and the unit is a band of pitches sharing a vibratory mechanism. It shares the word with a CPU cell and a language variety but names how the vocal folds vibrate, a matter of larynx and acoustics, not storage and not social situation.[3][4]
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