Construct · 2 fields · 2 citations
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In phonology the coda is the part of a syllable that follows the vocalic nucleus: the consonant or consonant cluster that closes it, as the /lk/ in milk or the /st/ in best. It contrasts with the onset (what precedes the nucleus) and together with the nucleus forms the rhyme. Clements and Keyser's 1983 CV phonology: A generative theory of the syllable formalised this internal structure, treating the syllable as a hierarchy in which coda position carries its own distributional and weight consequences. The referent is a structural slot in syllable architecture, unrelated to a closing passage of music or to a hearing child of deaf parents beyond the shared meaning of an ending or a following element.[1]
In music a coda is a concluding section added after the main formal structure has run its course, extending and confirming the final cadence so the movement comes to a satisfying close rather than simply stopping. Caplin's 1998 Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven treats the coda as a post-cadential formal function, distinct from the recapitulation or the main theme group it follows. The referent is a span of musical material with a closing function in a work's form, a construct entirely separate from a syllable's final consonants or a family role, although the cited treatment is far more recent than the musical practice it describes.[2]
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