Construct · 2 fields · 3 citations
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In music acoustics, consonance is the perceived pleasantness and stability of tones sounded together, opposed to dissonance. Helmholtz, in On the Sensations of Tone (1877), grounded it in the beating and roughness between the partials of the combined tones, and Plomp and Levelt (1965) tied the degree of consonance to whether partials fall within a critical bandwidth. This referent is a property of a sound; it contrasts sharply with cognitive consonance in psychology, which is a property of a person's beliefs.[1][2]
In Festinger's A Theory of Cognitive Dissonance (1957), consonance is the state of agreement among a person's cognitions, the absence of the conflict that drives attitude change. People are held to be motivated toward consonance and away from dissonance. Here consonance is a property of a mind's belief set, not of a sound, distinguishing it from the acoustic meaning.[3]
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