Construct · 2 fields · 3 citations

Where does consonance collide?

One name. Different field. Different construct. One map.

● jingle · one word, two constructs Nearest construct by meaning·not indexed
consonance2 CONSTRUCTSMusic acousticsPLOMP · TONAL CONSONANCEPsychologyFESTINGER · COGNITION

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2026

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Music acoustics

the smooth, stable sound of certain simultaneous tones

In music acoustics, consonance is the perceived pleasantness and stability of tones sounded together, opposed to dissonance. Helmholtz, in On the Sensations of Tone (1877), grounded it in the beating and roughness between the partials of the combined tones, and Plomp and Levelt (1965) tied the degree of consonance to whether partials fall within a critical bandwidth. This referent is a property of a sound; it contrasts sharply with cognitive consonance in psychology, which is a property of a person's beliefs.[1][2]

Unit
One interval or chord, rated for consonance
Recovery means
Play two or more tones together and judge their smoothness/stability, or compute partial spacing against critical bandwidth.
Measured by
Behavioral pleasantness ratings and acoustic roughness models based on critical-band overlap of partials.

Psychology

the comfortable state when a person's beliefs and acts agree

In Festinger's A Theory of Cognitive Dissonance (1957), consonance is the state of agreement among a person's cognitions, the absence of the conflict that drives attitude change. People are held to be motivated toward consonance and away from dissonance. Here consonance is a property of a mind's belief set, not of a sound, distinguishing it from the acoustic meaning.[3]

Unit
One pair of cognitions, consonant or dissonant
Recovery means
Identify two cognitions a person holds and check whether one follows from, rather than contradicts, the other.
Measured by
Inferred from attitude/behavior change and self-report discomfort after induced inconsistency.

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Nearby collisions

dissonance3 fields · 6 citationsjingle · one word, three constructsroughness4 fields · 4 citationsjingle · one word, four constructstonal consonance1 fields · 1 citationsanchor · a standalone construct

References

  1. Helmholtz, H. von. (1954). On the sensations of tone as a physiological basis for the theory of music (A. J. Ellis, Trans.). Dover. (Original work published 1877) ISBN 9780486607535
  2. Plomp, R., & Levelt, W. J. M. (1965). Tonal consonance and critical bandwidth. The Journal of the Acoustical Society of America, 38(4), 548–560. https://doi.org/10.1121/1.1909741
  3. Festinger, L. (1957). A theory of cognitive dissonance. Stanford University Press. ISBN 9780804709118

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