Construct · 3 fields · 3 citations
One name. Different field. Different construct. One map.
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In feminist film theory the gaze is the structured look that cinema's camera, editing, and narration build into the viewing situation, classically positioning the spectator as male and the on-screen woman as an object of visual pleasure. It is a relation of looking and power inscribed in the apparatus, a different construct from an institutional regime of perception or the literal aiming of the eyes.[2]
In developmental psychology gaze is the literal direction of the eyes and the early-emerging capacity to detect and follow it. Scaife and Bruner showed that infants turn to look where an adult looks, an ability that underpins joint visual attention and later social cognition. The referent is observable eye orientation and its following, not a theory of power or a cinematic apparatus.[3]
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Philosophy & history of medicine
a trained, institutional way of looking that constitutes the object it sees, binding perception to knowledge and power.For Foucault the gaze is not a glance but a trained, institutional way of looking that constitutes the very object it sees. In The Birth of the Clinic the medical gaze reorganises the sick body into a visible, classifiable field, binding perception to knowledge and power. The referent is a structured regime of observation, not the direction of anyone's eyes.[1]