Construct · 3 fields · 3 citations
One name. Different field. Different construct. One map.
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In music, syncopation (syncope) is a disturbance of the normal metrical accent, placing stress on a weak beat or between beats so the rhythm pushes against the underlying pulse. Theory texts such as Kostka and Payne's Tonal Harmony describe how tying over, resting on, or accenting off-beat positions creates the effect. The referent is a rhythmic device defined against a felt meter, read by where accents fall relative to the beat. It is a different construct from the loss of a sound inside a word or a fainting spell, which carry the same Greek root for 'a cutting short.'[1]
In historical and phonological linguistics, syncope is the loss of a sound or syllable from the interior of a word, as when Latin calidus becomes caldus or English 'every' is said as 'ev'ry.' Campbell's Historical Linguistics treats it among the regular sound changes that reshape words over time. The referent is a type of word-internal sound change or elision, established by comparing earlier and later forms. It shares only its name and root with the musical device and the medical faint.[2]
In medicine, syncope is a transient loss of consciousness caused by a temporary drop in blood flow to the brain, with rapid onset, short duration, and spontaneous, complete recovery, ordinary fainting in its common form. The 2018 European Society of Cardiology guidelines (Brignole and colleagues) define it and separate it from other causes of collapse. The referent is a clinical event defined by self-limited global cerebral hypoperfusion, unrelated to a musical off-beat or a dropped syllable beyond the shared root meaning of a sudden cutting-off.[3]
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