Construct · 2 fields · 2 citations

Where does accent collide?

One name. Different field. Different construct. One map.

● jingle · one word, two constructs Nearest construct by meaning·not indexed
accent2 CONSTRUCTSPhonological accentBLOOMFIELD · PROMINENCEMusical accentCOOPER & MEYER · METRIC STRESS

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2026

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Phonetics and linguistics

Prominence given to a syllable

In linguistics, accent is the extra prominence given to a particular syllable, achieved through greater loudness and length (stress accent) or through pitch (pitch accent), and it can distinguish one word from another or mark the rhythm of an utterance. Bloomfield's Language set out the phonological treatment of this prominence as a feature of the sound system. The referent is a property of spoken language, related to the tonic syllable of a phrase but distinct from a musical emphasis or a written diacritic.[1]

Unit
The relative prominence of a syllable, by stress or by pitch
Recovery means
Not applicable
Measured by
Assessed by acoustic correlates (intensity, duration, and fundamental frequency) and by phonological patterning

Music theory

Emphasis marking a note or beat

In music, an accent is the emphasis that marks a note or beat as stronger than its neighbours, created by dynamics, by longer duration, or by position within the metre. Cooper and Meyer's The Rhythmic Structure of Music treats accent as the basis of metre and grouping, the felt pattern of strong and weak that organises rhythm. The referent is a point of stress in musical time, sharing the word with linguistic prominence and a written diacritic but naming its own construct.[2]

Unit
The relative emphasis on a note or beat within a metrical grouping
Recovery means
Not applicable
Measured by
Located through dynamic markings, durational and metric position, and the perceived strong–weak grouping

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Nearby collisions

tonic3 fields · 4 citationsjingle · one word, three constructsacute1 fields · 1 citationsanchor · a standalone constructaccommodation4 fields · 5 citationsjingle · one word, four constructs

References

  1. Bloomfield, L. (1984). Language. University of Chicago Press. (Original work published 1933) ISBN 9780226060675
  2. Cooper, G. W., & Meyer, L. B. (1963). The rhythmic structure of music. University of Chicago Press. (Original work published 1960) ISBN 9780226115221

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