Construct · 3 fields · 3 citations
One name. Different field. Different construct. One map.
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In literary studies, the vernacular is the everyday mother tongue of a people, used for literature in place of a prestige or learned language such as Latin. Dante's De vulgari eloquentia, composed around 1304, is the foundational defence of writing serious literature in the Italian vernacular rather than Latin, arguing that the mother tongue could carry the highest art. The referent is the native, non-classical language chosen as a literary medium, distinct from an untutored building tradition or the casual speech a linguist records, though all three set the common and local against the formal and learned.[1]
In sociolinguistics, the vernacular is the natural, everyday speech a person uses with the least conscious attention: the first-learned, in-group variety, as opposed to careful or standard forms. William Labov's Sociolinguistic Patterns treats the vernacular as the most systematic object of study and frames the "observer's paradox": the speech one most wants to record is the speech that occurs only when no one is being observed. The referent is spontaneous spoken language in its community setting, a different construct from a literary mother tongue or a region's untutored building style.[2]
In architecture, the vernacular is building produced by ordinary people within a local tradition, using regional materials, climate know-how, and inherited custom rather than the designs of professional architects. Amos Rapoport's House Form and Culture argues that such dwellings are shaped primarily by culture, modified by climate and materials, rather than by individual design genius. The referent is a tradition-based, non-pedigreed built form, unrelated to a literary mother tongue or everyday speech except for the common theme of the local and customary set against the formal and schooled.[3]
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