Construct · 1 fields · 4 citations
One name. One construct. A landmark on the map.
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William Thomson first produced the figure in 1804, treating a slice of the Krasnojarsk pallasite (a stony-iron meteorite found in Siberia) with nitric acid and observing the geometric bands the acid brought out; Alois von Widmanstätten reached the same result independently in Vienna in 1808 by heating polished meteoritic iron, and Carl von Schreibers named the figures after him in 1820, the name that stuck. The pattern is a set of interleaved bands of two iron-nickel alloys, kamacite (the low-nickel phase) and taenite (the high-nickel phase), that grew along the octahedral planes of a single parent crystal as the metal slowly cooled, and it becomes visible when a cut face is polished and etched because the two alloys resist the acid differently. It occurs in the class of iron meteorites called octahedrites and is absent from ordinary terrestrial iron. What makes it a landmark is that it records extremely slow cooling: the bands form only over millions of years, at rates on the order of a few degrees per million years inside the metallic core of an asteroid, so the figure is read as a record of an origin no furnace can reproduce, and the width of its kamacite bands is used both to classify octahedrites and to estimate how fast the parent body cooled.[1][2][3][4]
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