Construct · 3 fields · 3 citations

Where does chromatic collide?

One name. Different field. Different construct. One map.

● jingle · one word, three constructs Nearest construct by meaning·not indexed
chromatic3 CONSTRUCTSChromatic adaptationCOLOR CONSTANCYChromaticismTWELVE SEMITONESChromatic numberGRAPH COLORING

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2026

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Color science

The visual system rebalancing to the colour of the light

In colour science, chromatic adaptation is the visual system's adjustment to the colour of the prevailing illumination, so that familiar object colours look roughly the same as the light shifts (say from daylight to tungsten), which is the basis of colour constancy and of the white-balance correction cameras apply. Wyszecki and Stiles's Color science sets out the quantitative transforms. The referent is a shift in the colour balance of perception or of a captured image under a change of light source, modelled rather than cured.[1]

Unit
The shift in colour balance induced by a change of illuminant
Recovery means
Not applicable
Measured by
Modelled by chromatic-adaptation transforms mapping tristimulus values between illuminants

Music theory

Use of pitches outside the prevailing diatonic scale

In music theory, “chromatic” refers to pitches drawn from the full twelve-semitone collection rather than the seven notes of the prevailing key: the chromatic scale ascends by semitones, and chromaticism is the expressive use of non-diatonic tones and the harmonies built from them. Piston's Harmony treats its use and voice-leading. The referent is tonal material lying outside the diatonic set of the key, and the word's colour meaning is purely metaphorical, unrelated to light sources or graph colouring.[2]

Unit
The degree of departure from the diatonic (key) collection
Recovery means
Not applicable
Measured by
Analysed by identifying non-diatonic pitches and chords relative to the prevailing key

Graph theory

The fewest colours needed to colour a graph properly

In graph theory, the chromatic number of a graph is the minimum number of colours needed to assign one colour to each vertex so that no two adjacent vertices share a colour. West's Introduction to graph theory develops the idea; it measures a graph's colouring complexity and underlies scheduling, register allocation, and frequency-assignment problems. The referent is an integer invariant of the graph's structure, and “colour” here is a formal label with no relation to light or to musical pitch.[3]

Unit
The minimum number of colours (an integer)
Recovery means
Not applicable
Measured by
Determined by proper-colouring algorithms and bounds such as the clique number and maximum degree

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Nearby collisions

aberration4 fields · 4 citationsjingle · one word, four constructsadaptation5 fields · 7 citationsjingle · one word, five constructsallocation3 fields · 4 citationsjingle · one word, three constructs

References

  1. Wyszecki, G., & Stiles, W. S. (1982). Color science: Concepts and methods, quantitative data and formulae (2nd ed.). John Wiley & Sons. ISBN 9780471399186
  2. Piston, W., & DeVoto, M. (1987). Harmony (5th ed.). W. W. Norton. ISBN 9780393954807
  3. West, D. B. (2001). Introduction to graph theory (2nd ed.). Prentice Hall. ISBN 9780130144003

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