Construct · 2 fields · 2 citations

Where does gamut collide?

One name. Different field. Different construct. One map.

● jingle · one word, two constructs Nearest construct by meaningsequencecompare the meanings
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gamut2 CONSTRUCTSColor gamutSTONE · COLOR GAMUTMusical gamutMENGOZZI · THE GAMUT

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2026

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Color science and imaging

Range of colors a device can reproduce

The complete set of colors that a particular device or medium can capture or reproduce, drawn as a bounded region inside a larger color space: a monitor, a printer, or a standard such as sRGB each has its own gamut, and a color outside that region simply cannot be shown accurately by that device. Stone, Cowan, and Beatty's 1988 Color gamut mapping and the printing of digital color images set out how colors are moved from one device's gamut into another's when the two do not match, so that a printed image resembles the one on screen. The referent here is a region of reproducible color, fixed by a device's physics and plotted on a color diagram, not the ordered range of musical pitches that the same word names in the history of music.[1]

Unit
The volume of reproducible colors, drawn as a region in a color space
Recovery means
Not applicable
Measured by
Delimited by measuring a device's primary colors and plotting the boundary of what it can reproduce in a chromaticity diagram or a three-dimensional space such as CIELAB

Music history and theory

The full compass of recognized pitches

In medieval and Renaissance theory, the whole ordered range of recognized musical pitches, running from the lowest note, Gamma, up to the top of the system, and organized by overlapping six-note groups that singers learned on the Guidonian hand. The word itself is a contraction of gamma and ut, the name of that lowest step, and it is the origin of the everyday phrase "run the gamut," meaning to pass through the whole range; Mengozzi's 2010 The Renaissance Reform of Medieval Music Theory traces how this pitch framework, credited to Guido of Arezzo, was taught and later reinterpreted. The referent is the full compass of pitches available to a voice or an instrument, counted in steps of the scale, and it is unrelated to the region of reproducible colors that the same word names in imaging.[2]

Unit
The ordered span of pitches from lowest to highest, counted in scale steps
Recovery means
Not applicable
Measured by
Laid out on the Guidonian hand and named by solmization syllables mapped onto the letter-named steps from Gamma upward

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Nearby collisions

color4 fields · 5 citationsjingle · one word, four constructspitch3 fields · 4 citationsjingle · one word, three constructsspectrum4 fields · 4 citationsjingle · one word, four constructs

References

  1. Stone, M. C., Cowan, W. B., & Beatty, J. C. (1988). Color gamut mapping and the printing of digital color images. ACM Transactions on Graphics, 7(4), 249–292. https://doi.org/10.1145/46165.48045
  2. Mengozzi, S. (2010). The Renaissance reform of medieval music theory: Guido of Arezzo between myth and history. Cambridge University Press.

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