Construct · 2 fields · 2 citations
One name. Different field. Different construct. One map.
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A suspension is a heterogeneous mixture in which solid particles are dispersed through a fluid but are large enough that they do not dissolve and eventually settle under gravity. It differs from a solution, where the solute is dissolved at the molecular scale and nothing separates out, and from a colloid, where the particles are so small that thermal motion keeps them dispersed almost indefinitely. Piazza's 2014 review Settled and unsettled issues in particle settling sets out how the balance of gravity, buoyancy, and viscous drag governs whether and how fast such particles fall, with Stokes' law giving the settling speed of a small sphere in a still fluid. The referent is a physical two-phase mixture, described by particle size and settling rate, and it has nothing to do with a car's springs, a paused legal right, or a held musical note beyond the shared word.[1]
In tonal music a suspension is a non-chord tone carried over from the previous chord that clashes with the new harmony and then resolves downward by step. It works in three stages: the note is first sounded as a consonance (the preparation), it is held or struck again as the chord changes so that it becomes a dissonance (the suspension), and it finally moves down to a chord tone (the resolution). Aldwell and Schachter's Harmony and Voice Leading treats the suspension as a basic voice-leading device that delays an expected note to create and then release tension. The referent is a momentary dissonance within a chord progression, heard and notated in terms of intervals above the bass, and it is unrelated to particles in a fluid, a vehicle's springs, or a paused legal right.[2]
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